Test 5
Passage One
You may not have stopped to think that
something as simple and utilitarian as a key carries so great a tradition of
meaning in the art and religion of our daily lives. But the tradition
turns up whenever a visiting dignitary--politician, astronaut or Olympic
hero--is presented with a huge, obviously bogus but beribboned key to the
city. This, in spite of the fact that the town is no longer and never was,
protected by walls with lockable gates.
In some places the
tradition has more force to it, even today. Writer Alex Shoumatoff,
reporting from deep in the Ituri Forest in Zaire, notes that a local policeman
there wears no badge, but rather sports a set of four keys as symbols of civic
authority: two of them fits desks in the station, another is for the
policeman's house, the last is a skeleton. That key ring is all the badge
he ever needs.
A "Ceremony of the Keys" has been played
out every evening for 700 years at the Tower of London. At precisely 9:53
each night, the chief warden makes symbolic rounds of the castle to lock the
gates.
In our country, the key as a symbol of authority
goes back to Colonial days. William Penn first arrived in the New World to
lead his colony on October 27, 1682. After his great ship dropped anchor,
Penn proceeded directly to the town's fort for an elaborate ritual in which he
was given the key to the defensive works [of New Castle]. With that, he
was in charge.
Passage Two
As links in food chains, sharers of space and
competitors for resources, all animals must become well-acquainted with some
other ones. But, uniquely, humans hang out with other species even when
they don't have to, apparently because this provides a certain amount of psychic
satisfaction. In all times and cultures of record, people have formed
companionable and compassionate relationships with beasts, demonstrating what
has been called biophilia, or, more stylishly, the yearning to know other
bloods. Whatever the ancient origins of these inclinations, they seem to
be intensifying rather than atrophying as the millions of pet keepers,
and students, admirers and protectors of wild animals, currently
testify.
Having a rather wide circle of zoologically
involved acquaintances, I believe that, based on what they do, wildlife
rehabilitators are probably the most passionate biophiliacs. One of them
is Christie Huffman. She and her husband live in the Northern Virginia
exurbs of Washington D. C. on a partially wooded five-acre tract. Sharing
the house and grounds with them on a full-time basis are two parrots, two dogs,
two cats, and a horse. More numerous, varied and demanding than these
permanent residents are the ailing transients who live, or are trying to,
in a shelter Christie operates on the premises. She and I became
acquainted because we are crow fanciers. We both have permits that allow
us to do hands-on work with these birds--hale and hearty ones in my case,
distressed ones in hers.(240)
Passage Three
It was not long after that when I heard the
Robert Dudley's wife was dead. She had been discovered at the bottom of a
staircase at Cumnor Place with her neck broken. None dared talk of it in
the presence of Queen Elizabeth.
What had happened to Amy
Dudley? Had she committed suicide? Was it an accident? Or had
she been murdered?
In view of all the rumors which had
persisted through the last months, the fact that the Queen and Robert Dudley
behaved like lovers, and that Robert seemed to have a conviction that soon he
would marry the Queen, the last suggestion did not seem an impossibility.
I could see that my father was worried.
I could not
believe that the Queen would ever put her crown in jeopardy for any man, and
that if Amy had been murdered, she would have allowed herself to become
involved.
The great point was that Robert was now free to
marry her. The whole Court, the whole country, the whole of Europe waited
to see how she would respond. One thing was clear. On the day she
married Robert Dudley she would be judged guilty. A queen had to be above
ordinary passions. Her people would see her as merely a weak and sinful
woman; and she knew that if she were to keep her hold on the glittering crown
she must retain her people's devotion.
Passage Four
In one sense, "ideology" is a more subtle and expansive way of saying "politics," at least when we think of politics as the ideas or beliefs on which we base our lives and our vision of the world. Ideology might refer to one person's belief in the sanctity of the family or to another person's sense that civilization is basically progressive. When we see a movie such as Red Dawn(1984) or Potemkin, there is little chance of our mistaking the political messages at work: the first proclaims the threat of communism to America, the second hails the force of a socialist revolution. Less obvious, however, may be the messages about life and society communicated in films such as Rocky(1976), Porky's(1982), The Sound of Music(1965), and Dances With Wolves(1990). Like the majority of movies, these films present themselves as entertainment, and their makers would probably resent any claim that unintended social or political perspectives are at work here. Yet most of us would probably acknowledge that each of these films offers rather clear ideological messages about individualism, gender relations, the importance of family life, race, or American history. Similarly, many of us might see The Godfather(1974) as an exciting, well-made gangster movie, but a writer sensitive to the ideological values in the movie might view those elements as part of another perspective, one concerned with the business of capitalism.
Passage Five
It's because of that all-too-real threat of
extinction that many biologists are racing to understand the world's
biodiversity. Already in many parts of the globe, from southern California
to the Atlantic coast of Brazil, habitats have been so altered that what is left
is but a shadow of what once was. "That's true here too," says Chris
Dickman, an ecologist at the University of Sydney in Australia who's studying
the small marsupials, rodents, and lizards of one of his country's most remote
regions: the Simpson Desert, which lies almost in the middle of this
island continent.
"There used to be bettongs,
bilbies, and bandicoots out here," says Dickman, listing some of the stranger
medium-size marsupials. We're walking up a brick red sand dune in the
bright morning sun, dodging the needle-sharp clumps of spiky spinifex to reach
the traps Dickman had opened the night before. "One of the Aboriginal
station hands remembers eating bilby as a kid," he adds. Although not
extinct in Australia, these creatures have vanished--probably forever--from the
Simpson, largely because of the introduction of foxes and cats, animals not
native to this land. "So while I can unravel the present ecosystem to some
extent, we'll never know how different it was here in the past. Those
marsupials are the ghosts of communities past."
Yet even
without them the Simpson boasts an astonishing diversity of life, particularly
for such a harsh, arid land.
Excerpts from Arthur, Linda L. et al. Strategic Reading for Regents' Reading Exams, 3rd edition. Dubuque, IA: Kendall/Hunt Publishing Company, 2000.