ADVANCED POETRY WRITING-ENGL 4300-01 (CRN 24712)

Spring 2007— MW 4:30-5:45pm—G233 (A&S Bldg)

 

Dr. Brigitte Byrd                                                           Office: A&S 210M
brigittebyrd@clayton.edu                                              Office Phone: (678) 466-4556

http://a-s.clayton.edu/bbyrd/Homepage.htm                   Office hours: TBA

                                                                                                (and by appointment)

                                                                         

Text and Online Materials:

Creating Poetry, John Drury

Poemcrazy, Susan Goldsmith Wooldridge

Shade 2006: An Anthology of Poetry and Fiction, ed. David Dodd Lee

The Academy of American Poets website: http://www.poets.org/

Poetry Daily website: http://www.poems.com/

Silliman’s blog: http://ronsilliman.blogspot.com/

Additional Required Materials:

2 manila folders or envelops in which you will turn your midterm and final portfolios

$20 for copying expenses

Notebook Computer Requirement:

Each CSU student is required to have ready access throughout the semester to a notebook computer that meets faculty-approved hardware and software requirements for the student's academic program. Students will sign a statement attesting to such access.  For further information on CSU's Official Notebook Computer Policy, please go to http://itpchoice.clayton.edu/policy.htm.

In-class Use of Student Notebook Computers:

Student notebook computers will be used daily in the classroom. Computers are required to access course materials and to communicate with me.  Access to the internet is mandatory.

Catalog Description:

Advanced instruction in writing poetry.

Prerequisite: ENGL 3800 (Intro to CRW) with a minimum US grade of C

Course Objectives:

This course focuses on poetry writing through the study of the craft which we will apply in the workshop.  We will discuss sources of inspiration, things to write about, preparation, language, sight, sound, movement, shape and voice.   I will introduce you to the works of major 19th century poets (Dickinson, Whitman, Rilke, Rimbaud) and Modernists (Eliot, Pound, Stein), New York School poets (O’Hara, Ashbery, Koch, Schuyler), Beats (Ginsberg, Ferlinghetti, Rexroth, Kaufman), Black Mountain poets (Olson, Creeeley, Levertov, Duncan), “confessional” poets (Lowell, Plath, Sexton, Berryman), and Language poets (Hejinian, Bernstein, Silliman, Howe, Palmer, Mac Low).

-You will be tested on the material covered in class regularly.

-You will participate to an assigned open mic reading.

-You are required to attend 4 readings from the Clayton State University Visiting Writers Series (spring 2007)

http://a-s.clayton.edu/langlit/visiting%20writers%20reading%20series%20spring%2007.pdf

-Your midterm portfolio will include all exercises (finished and typed) pertaining to the first part of the semester.

-Your final portfolio will include all exercises (finished and typed) pertaining to the second part of the semester and three to five thoroughly revised poems stemming from the exercises (typed).

Exercises:

After starting most of the exercises in class, you will finish them at home, type and edit them before placing them in your folder.  These exercises are designed to trigger your imagination, help you start writing, and support a point/element of craft discussed in class.

Participation to an open mic reading:

You will select two poems to read at the event which I will announce later in the semester.

Late work Policy:

I do not accept late work. Late work will receive a 0 unless arrangements are made between us before a planned absence or immediately after class, in the case of a personal emergency.  Once we have made arrangements, you will turn the assignment in question directly to me.

Conferences:

Although I encourage students to visit me during my office hours, I also require 1 mandatory conference.  Not showing up at a scheduled conference is the equivalent of 2 absences.

Visiting Writers Reading Series:

Mandatory attendance to 4 events* from the Clayton State University Visiting Writers Reading Series.  This semester, I have scheduled events during the day and in the evening in order to reduce any schedule conflict.  This said, if your school schedule or your work schedule prevents you from attending 4 events from the Clayton State University Visiting Writers Reading Series, you need to see me by January 26 so that we may make other arrangements.

*You will notice that I have canceled 2 class meetings this semester in order to make up for your attendance to our Clayton State University Visiting Writers Reading Series (spring 2007).

University Policies:

Students must abide by policies in the Clayton State University Student Handbook, and the Basic Undergraduate Student Responsibilities.

University Attendance Policy:

Students are expected to attend and participate in every class meeting.  Instructors establish specific policies relating to absences in their courses and communicate these policies to the students through the course syllabi.  Individual instructors, based upon the nature of the course, determine what effect excused and unexcused absences have in determining grades and upon students’ ability to remain enrolled in their courses.  The university reserves the right to determine what excessive absences, whether justified or not, are sufficient causes for institutional withdrawals or failing grades.

Attendance: 

Attendance is expected for all class periods.  Attendance is mandatory to 4 readings** (Clayton State U Visiting Writers Reading Series Spring 2007), one open mic event, and  all workshops.  By “mandatory” I mean that failing to comply with the previous requirements will result in dropping one letter grade from your overall grade.  An excused absence is an absence for which you provide me with a note from your doctor or other competent authority.  Any absence after 2 excused absences will affect your participation grade.  After 4 excused or unexcused absences, your overall grade for the course will drop one letter grade then one additional letter grade for each additional absence.

**You will notice that I have canceled 2 class meetings this semester in order to make up for your attendance to our Clayton State University Visiting Writers Reading Series (spring 2007).

Plagiarism:

Any type of activity that is considered dishonest by reasonable standards may constitute academic misconduct. Plagiarism is one of the most common forms of academic misconduct. It will not be tolerated.  Plagiarism is a counterproductive, non-writing behavior that is unacceptable in a course intended to aid the growth of individual writers.  Plagiarism is representing another’s work or part thereof, be it published or unpublished, as one’s own. All instances of academic dishonesty will result in a grade of zero for the work involved.  All instances of academic dishonesty will be reported to the Office of Student Life/Judicial Affairs.   Judicial procedures are described at

http://adminservices.clayton.edu/studentlife/judicial_affairs.htm.

Disability Services:

Individuals with disabilities who need to request accommodations should contact 
the Disability Services Coordinator, Student Center 214, 678-466-5445. disabilityservices@mail.clayton.edu.

 

Evaluation:

In order to receive a C in this course, you must turn in all the written work below on time, participate in the open mic event, and attend 4 readings (Clayton State U Visiting Writers Reading Series).  Remember that attendance is required and that after 4 excused or unexcused absences, your overall grade starts dropping.  Similarly attendance is mandatory for workshops, the open mic event, and the 4 readings.  By “mandatory” I mean that failing to comply with any of the previous requirements will result in dropping one letter grade from your overall grade. 

Midterm Portfolio (30%):

            Tests                                                                                        10%

            All exercises started in class finished and typed                          10%

            Participation                                                                             10%

Final Portfolio (70%):

            Tests                                                                                        30%

            All exercises started in class finished and typed                          10%

            3 to 5 finished, typed and thoroughly revised poems                20%

            Participation                                                                             10%

Grading:

        90-100 (excellent)

B          80-89 (above average)

C         70-79 (average—i.e. you did everything, but the quality of the work is average)

D         60-69 (you probably forgot to turn in some assignments or did not attend all required events. . . .)         

F          60 and below

Mid-term Progress Report

The mid-term grade in this course, which will be issued on February 27, reflects Monday

approximately 30% of the entire course grade.  Based on this grade, students may choose to withdraw from the course and receive a grade of "W."  Students pursuing this option must fill out an official withdrawal form, available in the Office of the Registrar, by mid-term.

Important dates:

_____________ OPEN MIC EVENT (TBA)

 

1/22 @ 12:30pm (UC 267) / Nathalie Anderson (poetry)

 

2/07 @ 12:30pm (UC 267): Phillip DePoy (fiction)

 

2/12 @ 12:30pm (UC 272): High Schools Poetry Contest

 

2/19 MIDTERM PORTFOLIO DUE IN CLASS

 

2/28 @ 7:30pm (UC 327): Camille Martin (poetry)

 

3/20 @7:30pm (UC 265): Bruce Covey (poetry)

 

3/28 @ 7:30pm (UC 327): Clayton State U creative Writing Students Reading

 

4/12 @ 7:00pm (UC 272): David Dodd Lee (poetry/Poetry Palooza judge) / Poetry Palooza/Cygnet Launching

 

4/30 FINAL PORTFOLIO DUE IN CLASS


Course Schedule:

You must bring Shade 2006 to every class meeting along with your computer, paper, pen, and your notebook (see below).  I will refer to Creating Poetry as CP.

As most writers do, you will keep a small notebook with you at all time during this term so that you can record thoughts, dreams, observations, and start a list of words.  Your notebook then becomes a pool of words and ideas for you to use in your creative work.

 

Week 1

1/08     Introduction to the course and to peers

1/10     Start reading poemcrazy (you need to have read the entire book by 2/05), introduction and map of poetic terms.

Week 2

1/15     Martin Luther King Jr. Day / NO CLASS

1/17     CP (chapter I—preparing) and (chapter IX—sources of inspiration), in-class exercise 1

Week 3

*1/22   Poet Natalie Anderson reads at 12:30pm (UC 267)

1/22     CP (chapter X—things to write about), in-class exercise 2 

1/23     Introduction to Dickinson and Whitman, CP (chapter II—language)

Week 4

1/29     Introduction to Rilke and Rimbaud, CP (chapter III—sight)

1/31     in-class exercise 3

Week 5

*2/07   Mystery novel writer Phillip DePoy reads at 12:30pm (UC 267)

2/05     poemcrazy, test 1

2/07     Introduction to Pound and Eliot, CP (chapter IV—sound) and (chapter V—movement)

Week 6

*2/12   Regional high school students poetry contest reading at 12:30pm (UC 272)

2/12     Introduction to Stein, CP (chapter VI—shaping)

2/14     In-class exercise 4

Week 7

2/19     Test 2, mid-term portfolio due, sign in for workshop

Group 1:______________, ______________, ______________, ______________

Group 2:______________, ______________, ______________, ______________

Group 3:______________, ______________, ______________, ______________

Group 4:______________, ______________, ______________, ______________

Group 5:______________, ______________, ______________, ______________

2/21     no meeting today for attending a reading

Week 8

*2/28   Poet Camille Martin reads at 7:30pm (UC 327)

**Note: the AWP (Association ofWriters &Writing Programs) Conference is in Atlanta this year from 2/28-1/03 and will bring many fantastic off-site poetry readings—i.e. “Ahsahta Press & Friends” at the Defoor Centre at 7:30pm on 3/01)

2/26     Introduction to New York School poets, in-class exercise 1

2/28     Workshop group 1--(bring enough copies of your poem for everyone in the       class—including me)

Week 9 SPRING BREAK

Week 10

3/12     Introduction to Beat poets, in-class exercise 2

3/14     Workshop group 2--(bring enough copies of your poem for everyone in the       class—including me)

Week 11

*3/20   Poet Bruce Covey reads at 7:30pm (UC 267)

3/19     Test 1

3/21     Introduction to Black Mountain poets, in-class exercise 3

Week 12

*3/28   Creative writing students read at 7:30pm (UC 327)

3/26     Workshop group 3--(bring enough copies of your poem for everyone in the       class—including me)

3/28     Introduction to “confessional” poets, in-class exercise 4

Week 13

4/02     Workshop group 4—(bring enough copies of your poem for everyone in the class—including me)

4/04     no meeting today for attending a reading

Week 14

*4/12   Poet and fiction writer David Dodd Lee reads at 7:00pm (UC 272) and announces the winner(s) of the Poetry Contest for works submitted to the Cygnet.  These students will read their work in the context of the Poetry Palooza and will be joined by faculty.  This major event will launch the 2007 edition of the Cygnet.

4/09     Test 2  

4/11     Introduction to Language poets, in-class exercise 5       

Week 15

4/16     Workshop group 5--(bring enough copies of your poem for everyone in the class—including me)

4/18     Test 3

Week 16

4/23     no meeting today for attending mandatory conference

4/25     no meeting today for attending mandatory conference

Week 17

4/30     Final portfolio due in class