SPRING 2008
ART 5000: GREAT WORKS IN ART HISTORY
SYLLABUS

                     
  Dr. David A. Ludley   Phone: (678) 466-4719 
  Professor of Art History and English    Email: davidludley@clayton.edu 
  Office: A & S 105 H  
Class Time: Tuesday nights from
7:30 PM - 10:15 PM in T-215.
Homepage: http://a-s.clayton.edu/ludley
Art 5000 Final Exam: TBA
Office Hours: to be handed out separately.
 

 

               
  Description of the Course and Goals:            
                     
  This graduate seminar surveys the high points of art history and examines aesthetic, historical, cultural, psychological, and other issues relating to art history, from various critical perspectives. We will examine great works of art, ranging from the highlights of ancient Stonehenge and Egypt, to the classical era, on to the Renaissance, and beyond-to more modern masterpieces. We will also study various critical approaches to these masterworks. This study requires extensive reading and writing. There will be five two-page response papers, chosen from among the weekly supplemental essay readings.. After reading these essays and possibly writing their responses to the readings, ALL students will come to class prepared to discuss the essays and, if they wrote a response paper, to present their findings to classmates. In addition, there will be a research paper, an individual presentation based on that research paper, a mid-term exam, and a final exam.  Please keep in mind that this is "Great Works in Art History," not a full art survey, so we will not be studying ALL of art history, just the "Greatest Hits."
                     
  Goals: Through discussions, readings, and a range of writing assignments, students will gain tools to develop a proficiency in analyzing and understanding works of art. This is a required foundation seminar within the School of Arts & Sciences' Master of Liberal Studies program; as such, it is geared toward the general master's-level candidate.
                     
  Required Texts:                
                     
    1.   Stokstad, Marilyn. Art. A Brief History, THIRD EDITION (Paperback) Pearson/Prentice Hall, 2006, Copyright 2007 (ISBN 0-13-195541-1.)    
                     
  2.   Calo, Carole Gold. Viewpoints: Readings in Art History, Second Edition (Paperback) New Jersey: Pearson/Prentice Hall, 2001. (ISBN 0-13-959396-9)  
  
  First Assignment (We do have class on  January 8, but this assignment will be primarily discussed on the evening of  15): In Stokstad, study the Stonehenge on pp. 30-33 and then study only the Mesopotamian material from pages 38-42, stopping at "In addition to inventing cuneiform..."; also study p. 43.  Then study about  Egyptian art on pp. 1 (intro.),  36-37, and then 48-61.   In Calo, paralleling the Stokstad material, read the "Introduction" on pages vii-ix and then  pages 1-12 (up to the paragraph that begins: "Minoan Crete...").  You are required to type up five  response papers in regard to the Calo readings and/or other essay handouts as they are assigned during the semester.  If you choose, this could be the first one. 

Next Assignment (Jan. 22):  In Stokstad, first start with the box on p. 66, pp. 68-69 ("Gandhara and Mathura Styles" and "Gupta Period") and the big box on p. 71--all on the Buddha ; then study about Greece, as well as its "Spread" on p. 87 and pages 95 ("The Emergence of Greek Civilization")-123.  Finally, in the Calo text, study pages 15-23 (up to "Christ").  You will see that the Calo reading parallels the Stokstad assignment. 

Assignment to be discussed on the evening of Jan. 29In Stokstad, read about Roman and some of Early Christian art on pages 135-161 and then 166 (starting with "Early Christianity")-179 (stopping before the last paragraph, "Christians required large numbers of books...").  In Calo, read pp. 23 (starting with "Christ") - 34.

Response Papers: During the course of the semester, you will be given assignments in Calo, as well as handouts of other essays.  For five of these assignments, you must write a Response Paper, in which you thoughtfully respond to the ideas and references in the assigned essay(s).  I will provide you with a good sample paper that a previous student did; of course, to avoid "plagiarism," you must be careful not to copy any ideas or phrases, etc., from this paper.  Your response papers must be typed, double-spaced, and from 1 1/2  to 2 pages long.  Each response paper must be handed in by class time on the night that the assignment, to which you are responding, is due.  They will not be accepted later than that.  This means that you do not have to write one every week--but often enough to accumulate five before the semester ends.

Research Paper: The Course Research Paper will be on an approved topic relevant to the course theme, Great Works in Art History.  The length will be a bit shorter than in most of your other graduate courses, because you are already doing additional writing with your required five Response Papers.  The paper length is 12 pages, typed and double-spaced, with a 12-point font.  Research Base: at least six approved sources.  MLA-style documentation with embedded footnotes and a "Works Cited" page(s) are required.

Here are some suggestions for your Research Paper topic.  For example, writing about a “period of art” in general would be far too broad and unacceptable for a graduate-level research paper. Graduate papers require original thought and critical thinking—not a compilation of someone else’s ideas.  Those six minimum sources, for example, must be from professional books and articles—no encyclopedias, simple biographies, or simple histories.  Your thesis must be narrow enough to do some in-depth research on.  Here are many examples of good Research Paper topics.  If you like, you may choose to use one of these many topics:

An Analysis of Representations of Hatshepsut
A Comparative Analysis of the Depictions of David
A Comparative Analysis of the Depictions of Judith of Holfernes in the Art of Gentileschi, Donatello, and Klimt
An Analysis of the Tomb of Pope Julius II
An Analysis of Raphael’s School of Athens (or other Vatican Raphael frescoes from that series)
Japanese Influence in the Art of Mary Cassatt
An Analysis of the Dionysian Frescoes in the Villa of Mysteries in Pompeii
An Analysis and Explanation of the Depiction of Violence in the Art of Artemisia Gentileschi
Depictions of Madness in the Art of Goya
Depictions of Madness in the Art of Gericault
Sexism in the Oriental Paintings of Delacroix
Artistic Innovations of the Amarna Period of Egyptian Art
Freudian Analysis of the Artwork of Edvard Munch
Evidence of Epilepsy in the Art of Van Gogh
The Influence of Camille Claudell on Rodin
The Influence of Dante Aligheri on Rodin
The Influence of Dante Aligheri on Dante Rossetti
Women and Surrealism
Body’s Beauty vs. Soul’s Beauty in the Art of D.G. Rossetti

Plagiarism: "It is expected that all borrowed material that appears in any of your work will be appropriately documented to reflect that the material belongs to someone else. Consult the MLA Handbook for the appropriate form. Plagiarism is a serious offense and will be treated as such. Plagiarism: The failure to cite the use (including paraphrase) of some other person’s words or IDEAS in your work. Using someone else’s work without giving him or her credit is theft. Words and ideas belong to the writer who created them. Should you plagiarize, you will receive an ‘F’ for the assignment and your case will be passed along to academic affairs" (Hall, Philosophy 5000 Syllabus).

Individual Presentations:  The "Individual Presentation" requirement in the syllabus will involve your presenting your research and your own ideas that will be going into your Course Research Paper.  Each person's presentation should last 20-30 minutes.  You will bring your laptops for this and present  Powerpoint slides, to illustrate your talk.  Among other sites, you can Google "Images," typing in the appropriate artist and/or title of  the art work.  If you need help in putting together a Powerpoint presentation, the HUB is happy to give you such help, and you should also feel free to ask me.

Make-up Exams/Late Work: Make-up Exams and Late Work are allowed only in exceptional, documentable cases, such as a note from the doctor, that the professor deems justifiable.

Attendance and Participation: In a graduate art history course, attendance is very important.  This will count for half of your attendance/participation grade.  Participation is EXTREMELY important in a graduate seminar like this one.  The Participation portion of the  grade refers to adding relevantly and meaningfully to our discussions with thoughtful comments and questions.

 
  

 

Course Requirements:          
Five Response Papers (based on weekly essay readings):
  25%
       
Individual Presentation:
  15%
       
Research Paper:
  25%
       
Midterm Exam:
  15%
       
Final Exam:
  15%
       
Class Attendance and Participation:    5%

Note: To obtain this document in alternative format, contact the Disability Services Coordinator, Dr. Elaine Manglitz, at 678/466-5445 or email her at ElaineManglitz@clayton.edu.